DECAYCAST Reviews: Philipp Bückle “Paintings” (Moving Furniture Records, 2018)

DECAYCAST Reviews: Philipp Bückle “Paintings” (Moving Furniture Records, 2018)

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“Paintings” is the newest work  from Germany’s  ambient/drone maestro Philipp Bückle via Moving Furniture Records on LP, CD, & Digital.  “Paintings”  offers forty plus minutes of minimalistic, thoughtful, introspective drone compositions spread  over  twelve tracks. The album’s intro, titled “Elegant Company In Front Of A Palace” opens with a  soft,  pillowed muffled wash of static and barely audible clicks of voice and potential movement. Slowly, carefully and intentionally the  album’s intro  crescendo’s in volume and intention with lush, sine waves, akin to the decay of a  distant call for  help, or love, or  compassion, or  companionship,  The  track  builds and  swells and  before you know it we are left  with an ancient, beeping, buzzing, nothing.  This theme of  a lost communication, reaching out across a barren empty landscape continue throughout the record, which apparently is the  third in a trilogy of  similar works recorded in the  artists vacationing spot  of Copenhagen, Denmark.

 

Some tracks offer more musical stringed resolve, where as other  occupy a noisier more abstract space, but the  tension holds  well  across the  album as a whole, although the noisier passages  seem to build the tension which is  often released and resolved through the more  string based, musical compositions. This isn’t  100% experimental, but it’s  also somewhat indescribable as it  does oscillate seemingly well  intentioned between what some would call noise, ambient, and drone  while still offering the listener points of  resolve with  fairly standard musical  compositions so to speak. The more ambient tracks  stand out as the  album’s stronger and more interesting experiments though Bückle manages to carry forth  his themes of loss, isolation, and occasionally comfort and  discovery in a continuous and intentional way, which acts as a glue for the  varied structures and  styles of  compositions presented on, the  aptly titled, “Paintings”, as many of the  songs feel like vignettes, posters, experience in of themselves each wearing a slightly augmented form of  sorrow on it’s sleeve.

Of the more traditionally musical tracks, a quaint cinematic effect is achieved, especially on the vocal forward tracks such as Figures On A Road Through The Woods”  and  A Seascape. The Coast Of The Island In Evening Light” which both boast a rather lush, decaying, middle  range voice  drone which blends carefully and intentionally with the slowly evolving, churning string and piano drones which lay delicately and  subtly underneath the more  forward, punctual voice based sections.  These are breaths in the cold air of loss, gain, confusion, and clarity, These are paintings, nothing more and nothing less. Take from that what you may. Overall a strong release from a longstanding, musically diverse, and persistent imprint, who you  will be hearing more about in the future.

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