Washington’s longstanding experimental stalwart William Rage returns with a heavy, cinematic offering for the Mondo Anthem imprint titled “II” or “Mondo Anthem II“. On this release, Rage crafts two slow, churning, heavy, dynamic works blending what sounds like synthesizers, field recordings, and noise sources to an interesting and unique sonic end. Overall, the sound of Happiness Forever is heavy, yet varied, textured yet articulate. A low ominous drone oscillates throughout the first side while seething, weighted atmospheric textures glaze over the drones in a hypnotic nuanced mixing style. The A side quickly builds with intensity as sine wave communications cast themselves far beyond the listener into the inner workings of the brain; something is wrong, I’m feeling uneasy.
The B side, titled “I Left My Electronic Heart In San Francisco (Recreation Of A Live Recording Of A Performance That Never Happened)” begins where the A side left off so to speak, with dense, field recordings and ominous crawling synths, which seem to sputter in and out like a rumbling, thirsty dying motor. Slow arpeggiations sing next to a thick, resonated clicking with background swells which create the perfect texture; the perfect song of alienated confusion. Mutated and garbled voices peak through the murky swamp, enveloping atop themselves and then decaying into the darkness, a different, warped experience every time. Truly beautiful sound composition.
“II” never becomes too much of one feeling, it’s always mutating while maintaining an overall fluency to its sounds and composition that make “II” a dense and refreshing listening experience for fans of many styles of electronic music. From musique concrete, to drone, to more cinematic styles of electronic composition, Happiness Forever is a which heavy fog we all must get lost in for the duration of this tape.
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