Back from a little break to review the newest release from Houdini Mansions, from Cascadian producer qualchan, titled “Goodbye To All That”, and it’s a rather fitting title as the short, bending, warbling loops come into our lives like short lived, lush experiences that vanish into the haze as quickly as they appeared on the horizon. on “Goodbye To All That” qualchan focuses on subtle shifts within these micro compositions that span ambient, post rock, muzak/library music and more. Some of them operate as escaped breaths from larger compositions, perhaps to be expanded upon, while others are self contained and don’t seek anything outside of themselves. Warm, trippy, fuzzed out loops for a moist walk through an all but abandoned forest. Beautiful release.
DECAYCAST News: Let’s Burn It Down: Mixed-Genre Benefit Show Invades Richmond District Tonight w: CCR Headcleaner and more!
There’s no secret 4/20 in San Francisco in 2019 can be a shit-show, with zombie-like blood thirsty capitalists co-opting and squeezing any profit they can out of literally anything cannabis related, and culture related for that matter, while steamrolling communities with racist and patriarchal policies which put the cities most marginalized at risk. Any and all culture in San Francisco seems to be at best, null and void for the distant future, to the lazily observing outsider, but local organizers fight back against this hypocrisy with a psych forward diverse musical event where you can support a good cause while having your brain melted with outsider sounds from some of the bay area’s stranger and more esoteric musical offerings. We spoke with the main organizer, Andre Torrez of the Brown Recluse Variety Show, a local radio program on BFF.fm. about the event and why it’s important to support organizations that help folks clear their criminal records or marijuana and other non violent low level crimes, especially now in an ever changing Bay Area landscape that seems hell bent on destroying anything that rebels against this hyper dangerous runaway capitalist model.
“With the annual crush of humanity on Golden Gate Park’s Hippie Hill reaching near mythical proportions, 4/20 in San Francisco is pretty much a stoner holiday. It seems like a no-brainer to tap into this crowd for some low-level marijuana offense criminal justice reform.
California’s recreational use marijuana law went into effect in 2018. At this point, any partakers are “barely legal”. Good times! But what about all those pot-case convictions prior to the new law kicking in? Bummer? Not so fast.
Recently Code for America, a nonprofit that helps gov’t use tech to better serve people, worked with San Francisco’s D.A. to clear more than 8,000 marijuana convictions.
Why stop there? Marijuana is just the tip of the iceberg! Expunging old, low-level convictions can help tens of millions of Americans so they can get jobs, housing and education. Algorithms helping break down these barriers? It’s already happening! But it takes time, resources and money.
Pocket your vape pen and follow the wafting haze from the park on 4/20 and step inside SF’s Neck of the Woods(406 Clement Street) for the Blown-Out, Blowout Benefit Show: Barely Legal Edition.”
We spoke briefly with organizer Andre Torrez of The Brown Recluse Variety Show, who talked about the importance of organizing a benefit show and co-opting this green day for a good cause, “This is the 4th installment, though I haven’t thrown this party in 5 years. I used to be a DJ at KUSF 90.3 FM. When they were taken off the air I started the tradition of organizing a benefit show that was 4/20 themed. It’s not so much out of weed adulation, though I’ve definitely had my own adoring moments. It was more from my own observations of how 4/20 is like a California phenomenon. It really is treated like such an event as it is. Anyhow I like puns and themes, so I would get whatever local bands and acts I could convince to play for the cause of getting KUSF back on the air. Fast forward 5 years and they kind of are back on the air as KXSF 102.5 and I’m now affiliated as a BFF.fm DJ and recreational weed is now legal, so I needed a new cause.
I work at a local TV news station and that’s where I heard about all these low-level marijuana convictions getting expunged by the SF D.A.’s office. The cause to me was clear: more of this kind of work. When I dug into it and found out it was Code for America’s Clear My Record Campaign that was behind creating this algorithm that helped expunge more than 8,000 cases, I reached out to see if they’d like to be the beneficiary. I respect what they are working towards and how this impacts people’s chances for a greater housing, education and job opportunities. Really this is a manifestation of the income disparity I see on the streets everyday in San Francisco, especially living in the Tenderloin these last 10 years. People need help and not enough of us are stepping up to do something. I don’t expect a fat billion dollar check to come out of this, but even small-scale philanthropy can help make a difference.”
“This year’s lineup includes local, psych-heavyweights; CCR Headcleaner, bringing you riffs for days! Oakland’s Milk For The Angry is hot with their new cosmically, psychedelic-flavored album ‘Extraterrestrial Desert’. Ratskin Records’ Cyborg Eye, a dark and moody East Bay duo, will wow you with their gear. Hauras sets the experimental tone including a special screening of film work by Myleen Hollero. And if you like Glitter Wizard, then you won’t want to miss “members of” in the country-folk duo known as Honey Bucket Boys. DJ Mashi Mashi of Galaxy Radio fame will be spinning vinyl all night.
Come on out and stick it to the man. The fun starts at 8pm. $10.”
DECAYCAST Reviews: Reverent – “Live Exorcism 2017” (American Damage, 2017)
Reverent is the Chicago based project of Jordan Reyes and, for the duration at least of this release, focuses on strictly voice- based industrial / loop based rhythmic works. The sound of Reverent oscillates between traditional primitively rhythmic based industrial, drone, and ritual music / chanting and experimental noise. This specific release is titled “Live Exorcism 2017”, and functions both sonically and conceptually very much in that realm. In one section the listener is being led on a more pronounced almost spoken word / beat section of the performance and then things begin to shift to a slower, more abstracted version of a similar piece. Reverent never stays in one lane too often throughout the piece, always keeping the dynamics and composition shifting in an interesting and unique way. Technically speaking, a rather full vocal range gives the artist the ability to construct full sounding works from just the voice, I’ve heard other vocal based acts which can come off as gimmicky or contrived in a way but Reverent is absolutely not that at all. Every bar, ever loop, every breath seems intentional and carefully places, there’s never really a slip up, we as the listener are presented with a polished, dense, articulate set of vocal explorations, which are no short of songs unto themselves, but also they exist a much more; an exorcism, a nervous, manic cleansing of the performer.
Reverent is truly a unique project, sound and concept wise, as I cannot really compare it to anything else. Stylistically, it could exist in similar realms of drone / percussion pioneer Z’EV, NURSE WITH WOUND, COIL, but could also operate in a more contemporary undiscovered space/zone as well, blending dense layers of vocal processing to an almost fever-dream style of symphonic production. The sound of Reverent is nervous, trance-like and for lack of a better tern, darkly triumphant. Reyes really does craft all of the parts of a traditional “song” with just the human voice, bass lines, poly-rhyhms, leads, and more traditional vocal layers; an entire band is born from the esophagus; come alive. Even if you are dead, you will be reanimated by the ritualistic chanting drones and oscillations of Reverent.
Reverent is about to embark on a short tour and here is the information below. Make sure to catch one of these live rituals if possible; if so much can be gained from just a live mic recording of these works, imagine what they must present like in the flesh and in the ear; NOT TO BE MISSED.
DECAYCAST#036: NIHAR BHATT : V/A: ROGUE PULSE / GRAVITY COLLAPSE DJ Mix on RATSKIN RECORDS, 2017
TERROR APART “Perfectly Nowhere”
BIG DEBBIE “E.P. Hypnosis”
AH MER AH SU “Write This Off”
SNEAX (LaTron + Obsidian Blade) “Till The End 100%”
Piano Rain “Last Year” Remastered
PRIST “Still Movin'”
FORBIDDEN COLORS “Green Smiley Face Sticker”
BONUS BEAST “Direct Dive”
ZEEK SHECK “7777-01-07 Son”
JOSHUA KIT CLAYTON “Morning Rasp”
HIROSHI HASEGAWA “Homeobox”
MALOCCULSION “Walk Of The Dead, Part One”
POD BLOTZ “The Current”
MOOR MOTHER “CTM Five”
BRIAN TESTER “Chrono People”
GOLDEN DONNA “Wired For The Worst”
THE CREATRIX “D B No Moral Universe”
CIARRA BLACK “Don’t Say It, Volume 1”
RUSSELL E.L. BUTLER “Technofeminism House”
ZANNA NERA “In My Veins”
JASMINE INFINITI “Scratchy A”
ELROND “Hart Start”
DIMENTIA “Specimen Identity”
SHARON TATE FETUS EXPLOSION “Personal Brand”
V.E.X. “Ride The Time”
arc “Breathe Couplings Undulation Map”
On The Origin Of Rogue Pulse / Gravity Collapse: About two weeks to the day before Ghostship, we returned home after days of protests; as always feeling defeated, BEING defeated another day of violence enacted upon the communities’ consciousness; Witnessing the beautiful families of oakland wading through never ending rivers of trauma enacted on all marginalized communities through state sanctioned violence and racism in Oakland, and the Bay Area at large. A compilation will not solve this, a thousand compilations will not solve this, but we have done nothing to combat this and we have to start somewhere. ROGUE PULSE / GRAVITY COLLAPSE is an uncertain yet thorough attempt to demonstrate to propose a restructuring of how artists, labels, promoters, venues and other “institutions” and INSTITUTIONS use their privilege, time, talents, and resources. But before we could do that, and begin to unpack the complexities around all of these issues, in one single night, the community lost thirty six souls, including founding members of our collective, artists on our label, family members, and so much more in Ghostship and then months after RP/GC was released, almost a dozen more in the San Pablo Fire months later which displaced hundreds of longstanding Black members of the community, and lastly the North Bay fires. There is only so many ways to process or not process this stuff, but we came up with a compilation. We weren’t sure how long it would be, who would be included, how we would present it to the public without exacerbating the commodification of grief, and without taking visibility away from traumas enacted against the Oakland community at large, outside of the “artistic” community. We weren’t really at all sure how we would divide up the money, how we would promote it, but sometimes you don’t have any other fucking choice, even if it raised $100 you never know how far that could go.. Ghostship was, and still is a horrendous blow to our local creative community, many of whom had already been resisting against the structural wrath and chaos of a white supremacist, sexist, capitalist culture, and therefore already just struggling to create and survive, day by day hour by hour minute by minute. In short, many communities were fragmented and tormented long before Ghostship, and Ghostship, for many of us, brought a blade of mass trauma slicing through reality, grief, chaos, distrust and confusion that uprooted the community in so many different ways. The Immediate Fire relief fund literally saved people’s lives by the way and all the love should be given to them and those working on the periphery as well.
What was crucial for us was linking in those deeply affected and lost in Ghostship fire while also keeping the financial and conceptual focus on the organizations we chose to support before the fire, Black Lives Matter and St James Infirmary in San Francisco. Before we knew it, it was out. It was like the best and worst possible distraction, and in MANY ways, postponed a lot of the mental and physical healing that members of the collective needed to do for ourselves but at the same time it was, and still very much is an entry point for beginning the process. For me personally, this has easily been the single most important release I have ever been a part of for numerous reasons, but the single biggest reason is because it saved my life, literally, so many times I cannot even count and it did that by showing me the undeniable ferociousness of our community. Every track on ROGUE PULSE / GRAVITY COLLAPSE, came as a blessing, a hug, a shoulder to cry on, but also they came as weapons, one hundred and eighty seven weapons, and we couldn’t be happier with the finished offering, as it strives to demonstrate the unrelenting power through all of the trauma and grief that our community and the people of Oakland, through various intersections possess and present with every moment that they exist. Nihar’s essential, heartfelt, and nearly perfect distillation of the thirteen hours of Rogue Pulse / Gravity Collapse, carefully and masterfully sharpens heavy stones of grief into razor blades of warmth, love, creativity, and determination of our community like daggers to the throat of a broken, corrupt system. Every tear shed will eventually freeze to form an icicle to thrust into the socket of a system which has cast away so many amazing, beautiful, creative, people.
This mix is one for everyone who has lost a loved one at the hands of systemic violence. Your tears will not go unnoticed, and this is just the beginning.
This mix is one for everyone who has lost a loved one at the hands of systemic violence. Your tears will not go unnoticed, and this is just the beginning.
The physical edition of ROGUE PULSE / GRAVITY is SOLD OUT as of Today, but the digital download is available HERE ON BANDCAMP via RATSKIN.
-MD. Dec 1, 2017
TONIGHT. VOLTAGE DROP DANCE PARTY AT THE LEGIONNAIRE IN OAKLAND
Voltage Drop – Industrial / Electronic Dance Club V:7
TYLER HOLMES (cassette release show on RATSKIN RECORDS)
AH MER AH SU
Performed Live by
Alexander Zander Brown
speciel guest DJ:
$5 before 10pm / $7 after
21 + ///// Doors at 9pm
VOLTAGE DROP is a new collective of Oakland based artists, DJ’s, musicians, promoters, and music collectors with a deep seated interest in preserving the rich legacy of experimental, beat oriented electronics and industrial music in the Bay Area and beyond. Voltage Drop specifically focuses on the crossroads between early hip hop/electro/beat driven electronics, and industrial/body music. VD boasts influences as vast as Throbbing Gristle / Industrial Records, Cybotron/Juan Atkins, SPK, J Dilla, Coil, Tesco UK, Pierre Henry, DJ Rashad, and a myraid of local and international contemporary, yet esoteric artists, labels, and parties, in which the bay area has such a rich history in. Voltage Drop aims to throw events merging local and international performers, artists, DJs, and VJ’s , and also has a vested interest in attempting to synthesize often fragmented sub scene clicks within the oh so spoiled bay area. The bay area has a rich, bright, and complicated tradition of experimental electronics and industrial music, Voltage Drop is here to cast their own unique archival lens on the history, present, and future of the arc of influence and collective consciousness of sound.
KID606 has been hosting, booking, performing , and archiving and releasing his damaged and unique styles of techno, body music, ambient, remixes, breakbeat and just about every other style of beat driven electronics all throughout the world over the last two decades and Voltage Drop is some proof that there’s still room in the bay to present this always captivating and engaging artist in a somewhat fresh platform! Voltage Drop brings KID606 and their complex, classy, eclectic electronic stylings to the fourth installment of Voltage Drop tomorrow in Oakland with an exclusive live set, at the Legionnaire Saloon, the new monthly home of the Voltage Drop party. The nights opener, Russell E.L. Butler (formerly of Black jeans) , who is no newbie in the scene either opens the gig with a live hardware set, boasting a new cassette release on SF/Berlin based, Jacktone Records. You can stream Russell’s new tape, titled “Visions of The Future” here
The space in between will be filled by Voltage Drop Resident DJ‘s, KOZI, BONUS BEAST, MALOCCULSION, AND FUNKY V and FLOWER PATTERN on the visuals as always. Come out, it’s not to be missed! Vital info for the party below! SF Weekly seems to think you should too, as they just named VOLTAGE DROP in the Top % Parties To Goto This Weekend!
“KID606 (Tigerbeat6 / Perpetual Dawn / L.A.) A native of Venezuela, the Kid (aka Miguel Trost De Pedro) moved to San Diego early in life. After becoming interested in samplers, he began recording and released some material with Spacewurm, Ariel, and Disc (a collaboration with Lesser and Matmos), three acts associated with the Southern California label Vinyl Communications. Kid606 debuted on his own with a full-length for VC, 1998’s Don’t Sweat the Technics. A split CD with Lesser gained release later that year, as well as the VC EPs Unamerican Activity and Dubplatestyle. De Pedro kicked off his Tigerbeat6 label in 2000 with the release of Kid606 and Friends, Vol. 1, an album of remixes and collaborations.”
“RUSSELL E.L. BUTLER (Opal Tapes / Jacktone Records / Oakland) Russell has been making waves in the Bay Area music scene for years. His project Black Jeans evoked the emotional and physical qualities of minimal synth and electronic body music to transport listeners to hidden and forgotten sonic landscapes. For the past few years he has been making a brand of stripped down machine techno that has evolved rapidly with each successive release. It is fitting that transplantation and adoption are themes in Russell’s music, as he based his 2015 album, “God is Change” on Octavia Butler’s Parable series of novels, in which these are central tenets of the philosophy that the books explore. Since its release “God is Change” has received major acclaim, with NPR naming it one of their top 10 favorite electronic albums of 2015.”
VOLTAGE DROP – INDUSTRIAL / ELECTRONIC DANCE CLUB PRESENTS
LIVE SETS BY:
KID 606 (TIGERBEAT6, PERPETUAL DAWN / LOS ANGELES)
RUSSELL E.L. BUTLER (OPAL TAPES / JACKTONE RECORDS / OAKLAND)
VISUALS BY FLOWER PATTERN
free mixtape/cd to the first 25 through the door.
TONIGHT 4/20 IN THE CITY OF SAN FRANPSYCHO
SECOND ACT. 1727 HAIGHT STREET, SF, CA 7:45-10PM SHARP
“Four twenny in the Haight Ashbury? Yup. If smoke makes the best sunsets, the banks of Golden Gate Park will be blowin’ up as Neha Spellfish, Malocculsion, play the final show with Demonsleeper and Thoabath before they hang ten off a dank ring blowing out toward San Juan, Puerto Rico where they’ll opena new venue for experimental live sound. Come see them off with…
NEHA SPELLFISH (Oakland/Madrid)
With low frequency waves washing up on a beach of dark noise ambience, Spellfish delves into the shared space of interspecies communication and paramnesia, invoking the spectral measure of waking consciousness and noospheric cognition. Neha invokes themes of macro psychology, xeno feminism, dynamically modeled weather enclosures, and instinctual variance, employing audio programming platforms and algorithmic granular synthesis.
Deathrattle lullabys and inescapable lucid dreamscapes wrought by somnambulist maestra, Alexandra Bushman. In 1999, she formed the electro-acoustic group, Synethesia, tegether with Angélica Negrón. After scaring the daylights out of everyone at the Conservatory of Music in Puerto Rico, she matriculated to Mills College before committing to advanced studies with ancient dark forces whose names must never be spoken.
There’s a perceptible gravity to Andy Way that somehow vanishes once you draw near, the material world floats adrift. His solo project, Thoabath, might just be that massless Euclidean point where noise, dub, power electronics, horror, and ambient all emanate, an entelechy without clear precedent, of no laws. Prepare your ear, first study his collaborations with luminaries like Bruce Anderson (MX-80) & Petit Mal in the project, French Radio, sink yourself in the occult cacophony of Sutekh Hexen, and then, approach Thoabath, inescapable dark quasar.
Watch concrete turn to quicksand and glass return to sand as this sonic juggernaut storms the Haight Ashbury. His inaugural solo album released last year, “Psychosis Industrial Complex”, melds blown out distorted beats, arpeggiated synths, tape manipulation, voice, field recordings and homemade oscillators to belt forth a dark, unique offering of post industrial, prison music.