Tag Archives: audio death

TONIGHT: NOISE SHOW IN SF w/ DEMONSLEEPER / THOABATH / NEHA SPELLFISH / MALOCCULSION

TONIGHT  4/20 IN THE  CITY OF  SAN FRANPSYCHO

SECOND ACT. 1727 HAIGHT STREET, SF, CA 7:45-10PM SHARP

 

“Four twenny in the Haight Ashbury? Yup. If smoke makes the best sunsets, the banks of Golden Gate Park will be blowin’ up as Neha Spellfish, Malocculsion, play the final show with Demonsleeper and Thoabath before they hang ten off a dank ring blowing out toward San Juan, Puerto Rico where they’ll opena new venue for experimental live sound. Come see them off with…1414959_10153953359597836_4368103547300810001_o

NEHA SPELLFISH (Oakland/Madrid)
With low frequency waves washing up on a beach of dark noise ambience, Spellfish delves into the shared space of interspecies communication and paramnesia, invoking the spectral measure of waking consciousness and noospheric cognition. Neha invokes themes of macro psychology, xeno feminism, dynamically modeled weather enclosures, and instinctual variance, employing audio programming platforms and algorithmic granular synthesis.
https://soundcloud.com/spellfish

Demonsleeper
Deathrattle lullabys and inescapable lucid dreamscapes wrought by somnambulist maestra, Alexandra Bushman. In 1999, she formed the electro-acoustic group, Synethesia, tegether with Angélica Negrón. After scaring the daylights out of everyone at the Conservatory of Music in Puerto Rico, she matriculated to Mills College before committing to advanced studies with ancient dark forces whose names must never be spoken.
https://soundcloud.com/demonsleeper

Thoabath
There’s a perceptible gravity to Andy Way that somehow vanishes once you draw near, the material world floats adrift. His solo project, Thoabath, might just be that massless Euclidean point where noise, dub, power electronics, horror, and ambient all emanate, an entelechy without clear precedent, of no laws. Prepare your ear, first study his collaborations with luminaries like Bruce Anderson (MX-80) & Petit Mal in the project, French Radio, sink yourself in the occult cacophony of Sutekh Hexen, and then, approach Thoabath, inescapable dark quasar.
https://soundcloud.com/acway/

Malocculsion
Watch concrete turn to quicksand and glass return to sand as this sonic juggernaut storms the Haight Ashbury. His inaugural solo album released last year, “Psychosis Industrial Complex”, melds blown out distorted beats, arpeggiated synths, tape manipulation, voice, field recordings and homemade oscillators to belt forth a dark, unique offering of post industrial, prison music.
https://ratskinrecords.bandcamp.com/album/malocculsion-psychosis-industrial-complex

 

 

DECAYCAST REVIEWS : K2/ CONSTRAIN / FENIAN CD (Oxen label, 2015)

DECAYCAST REVIEWS : K2/ CONSTRAIN / FENIAN CD (Oxen label, 2015)

10924164_10207473629052456_3214361053396244673_o

Here we have another  harsh, tasty treat from the always  harsh, loud  and  on fire label OXEN RECORDS  from LA  run by Matt and  Leah Purse. This album comes in beautifully artworked jewel  case, and the  sounds live up to the  artwork./ The  disc opens up with a harsh, but  fun offering from noise legend, K2 (Kimihide Kusafuka)  who  swiftly and masterfully carves through fifteen minutes of classic,  chaotic, phased out  harsh noise blasts. Oscillators and  opportunities shudder open and closed as Kusafuka melts, blends, breaks, and blasts his  way to a masterfully brutal harsh noise assault. k2 has been terrorizing both sides of the  brain/globe  with his  harsh noise  presentations of  aural hell for years and this brand  new offering is no exception. Dynamic, loud, abrasive, and unapologetic  doesn’t even begin to sum up the  work of  K2  on this release, or any of his extensive and  sought after  back catalog, though it’s a brave and noble start.

 

Kevin M. is up next with an equally brutal and  chopped up track from his elusive  yet prolific Constrain project (who also offers up  the album  artwork to boot) The Constrain track has a few  more  rhythmic elements that tease and  tug on the listener somewhere  in  the  background, but  they never remain for more  than a  few  seconds before they  are  swept  away with choppy, arrhythmic feedback blasts, chaotic, unstable  circuits and belching, smelly walls  of  distortion and speaker popping.  Constrain’s style is a bit  more choppy overall than K2, but it’s  no doubt working in the  same  schematic of  compositionally aware, yet angry and  disjointed noise music.  The Constrain track has  some nice  stereo  effects  and is  fairly dynamic, in terms of some of the other projects from this artist, though it  slowly builds to a  chaotic climax  somewhere about halfway through the  track and begins subtracting from itself  and  erasing  its own heads and tails.

 

Last and not least of the  three  artists,  we have the Fenian track, which is perhaps my favorite and the most dynamic and movement based  piece on the  disk. Also a bit  shorter than the k2 offering, fenian carves, warped, warbley  blown out  harsh noise which seems to have more  of an analog tape machine feel (even though i know thats not  whats  being  used – or  maybe i don’t, or maybe nobody  does, and nothing does,  including the machines ) Fenian navigates the  harsh to minimal transitions rather smoothly and  always riding the line between blown out and microtonal harsh noise, in a  swift and compelling way. Some  faint  field recordings of  voice/ old  song can be heard, however  before the listener can claw at a point of reference, the  sound is GONE, SQUASHED, MANIPULATED, into a harsh hellhole of  auditory terror.

 

The fourth track is a collaboration, by mail it  seems between the  three  artists  and is mixed and compiled by K2 according to the liner notes. This track offers  some really fun manipulation of  source material from Constrain and possibly Fenian as well but  it’s  undoubtably  processed through the K2  sound  engine!  Overall a great  offering for all the  harsh heads out there  who want something with a bit more sonic density  and  with more  variance than most contemporary harsh noise, these  three are  keeping the bar  high and  dangerous.

 

OXEN LABEL 

decaycast#010: Hallowskullmirrorcast : TEMPORALLY OFFLINE….

ALERT:::SEWCURITY ALERT::: BREACH IN SECTOR XX01010XX0101011100101____ RANDOM NANOBOT AGENTS FROM AN UNDISCLOSED ORGANIZATION RECENTLY INFECTED A SMALL PART OF THE DECAYCAST DIGITAL FILE STRUCTHURT CATACOMBS ::::THIS FILE TEMPORALIALLY DELETED FOR SECURITY REASONS. IT WILL RETURN SHORTLY…for now please visit…..

HALLOWSKULLMIRRORCAST 45mb 33 minutes

DECAYCAST : HallowSkullmirrorCast 20009

HallowSkuLLMirrorCast

Chrome Genie : Satan’s Mass   :0:28-4:58(recorded in Hell  1776)
Different Dentist : Haunted Door : 5:02-7:20(recorded  @ R.azorW.ireC.ompound 09)
Alienslang : “Waltz with the electric amoeba” or “Looking 4 a Key in the Nightmare house cellar”   :7:21-11:29 (recorded @ Nightmare House VA july 09)
Cerebral Roil   “Fermented Pork Carcass” part 1    :11:30-12:10  (recorded @ Safeway)
Different Dentist:  “Drill Possessionspiria”  12:11-15-51 (recorded @ R.W.C.)
Alienslang : “Summoning the Pheonix”  16:00-28:11 (recorded@ NightmareHouse)
Cerebral Roil : “fermented Pork Carcass”  part 2  28:20-death (recorded carcass on ice in tub overnight the ants attacked and it was breifly a  screaming cloud ant shadow ghost of swine)

In tradition of documenting the collective psyche turning the arceology of spirit and death inside out and all over the streets , dining with ancestors and eating archtypes to march with ghosts and revel in the mischeif,  and continuing documentation of Halloween Music, Decaycast presents HallowSkullmirrorcast.  Ready for installation in Haunted Houses, possesed rooms, diner parties for the dead, seance audio apertif’, Sorority Cocktail parties, or serves as a warm corpse hand to hold on a rainy night, candles and Ouija board not included.

Dr.Decaycast

decaycast#009: Loachfillet • Modular Graveyard Sessions, Volume 1

DECAYCAST009 : LOACHFILLET “Modular Graveyard Sessions, Volume 1” (mp3)

Count Loachfillet

Count Loachfillet

COUNT LOACHFILLET’S WORM PERIL FOR OTHER GHASTLY TREATS and webbous sonic ARCHIVES…Sorry for the trubbles….

The composition you are listening to is an electronic sandwich of aural preparations. It was recorded in November, 2008 as I geared up to perform at the Composers Decomposed Series in Oakland, California. All sounds were played live to tape, processed through a Frac-Rack unit, with additional electronics, tape loops and auxiliary effects piled on at the Loach Crypt. This recording represents Volume one in the Modular Graveyard Series. An ongoing foray into the world of atmospheric experiments, thought tunnels and mental cleansing by way of the Modular Synthesizer. The original output was distributed to a system of four speakers in cardboard tombstones and one stereo public address system. For more information on Loachfillet, visit my blog at: http://wormperil.blogspot.com/2007_04_01_archive.html

DECAYCAST #006 Suspiria Goblin vs. Alienslang ::: audio ghosts for installing haunted rooms

HorrorCast : 2nd Annual Halloween Special! Sonic incantations for haunted rooms. 47 mb

AUDIO FOR INSTALLING HAUNTED ROOMZ
AUDIO FOR INSTALLING HAUNTED ROOMZ

On October 20th 2007 Sabreteeth performed before the screening of Dario Argentos’ “SUSPIRIA” at the Clay Theatre in San Francisco. With all the samples of Suspira’s wailing and witchcraft snickerings laying around the digital shop bleeding at their severed time codes…. Alienslang assembles an all Suspiria creep-show for Halloween trick or treat theme music, pumpkin smashing parties and zombie brain devouring buffets.
.

–Dr. DecayCast