DECAYCAST Reviews : LUER “Cartridge” (Fluxus Montana, 2018)
Here we step back over to a short but power and sonically diverse from Matt Taggarts’ LUER project. “Cartridge” comprised of two short sides of mixed style electronic compositions spanning harsh noise, post industrial, musique-concrete and expanded ambient/drone techniques; a hearty stylistic swath for such a short release indeed, but this cassette doesn’t feel contrived in it’s uniqueness and non-commitment to a specific sound or style. Like his solo work under his own name and P.C.R.V., Taggart has always oscillated between the sonically dense and the hauntingly minimal, letting the concept dictate both the intensity and the presentation
, and that could be happening here as well, though the focus seems to be more onto nuanced sound with LUER than previous works with refreshing and interesting results. LUER blends sputtery, chaotic synthesizer patterns and textures, backed with heavy, industrial percussion working in tandem with mutating synths and unrecognized manipulated sources. Both sides offer varying peaks and troughs of intensity, but as the listener, we are never left with a boring moment, a unique sonic happening is always right around the corner ready to unfold inside our cochlea. Harsh, synthetic noise blasts swiftly and determined cut through the mix like stab wounds to our own perceived reality.
The B side offers more warmer synth manipulations on the forward coupled with digitized harsh noise blasts, analog machines crumbling atop each others dying circuit pulses, and space. The use of sparseness on the second side especially offers a tense and cinematic feel to the overall composition, never knowing when the next cacophony is going to rumble up through the speaker and slice your skin to fill up the case. This is the sound of blood corroding a body into the inner most part of the ear- perfect. Stunning artwork to boot, pick up the cassette today here.