DECAYCAST Reviews: MOIRA SCAR “Wound World Part 1” (Near Dark, 2018)

 

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Bay Area queer deathrock stalworts MOIRA SCAR are back with their new full length on CD/CS/ and  digital via Oakland’s NEAR DARK imprint, which is run by dark gothic outfit, OTZI whose newest offerings, “Ghosts” was  covered HERE a few weeks ago. Moira Scar currently is in trio form with their latest offering  with Roxy Monoxide: guitar, sax, vocals, LuLu Gamma Ray: synthesizers, vocals, and Aimee S: drums. Moira Scar’s newest full length, “Wound World Part 1” boasts seven snappy, punchy, femme forward dark punk/death rock cuts,  intentionally building upon their unique, sought after, indimable sound of their previously released full lengths, “Psychoid”  and “Scarred For Life”. With an augmented lineup, and a slightly darker and more rock forward sound, “Wound World Part 1” might be the most intentionally straight forward, intense  and focused sound the outfit has  concocted yet, and the  recording production suits the  sound perfectly. Thick pummeling percussion, wailing, screaching vocals, fuzzed-out chugging, angular guitar riffs and the staple walls of  reverb’d saxophone.

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Snap Back” might be the most traditionally “Moira Scar” sounding cut on here blending heavy bass riffs, walls of  sax with driving punk inspired hard hitting  drumming and the signature  layered vocal efx stylings which could take the  sonic shape of anything from low  distorted  growls to high pitched shrieks of intense washes,  utilized to great success on the track “Chrysalis Skull” The operatic style walls of  vocals blend perfectly over the frantic, manic heavy  drumming and thick slabs of  guitar and  bass work. Slower, more  post rock inspired track “Zeta Rainbow” offers chugging, blown up guitar riffs with dragging slagged out bass lines with more  traditional breakdowns where the guitar and  dual vocal  processions shine brightest.

Moira Scar’s  sound is  thick, violent,  present, and demanding of the space it requires and  deserves. Death rock, like any “sub-genre” can be formulaic, boring, and  predictable, but “Wound World Part 1” is the complete opposite; fierce, unique, cathartic, and nasty!. In a time where we need it most,  Moira Scar once again, and perhaps with more force than ever proves they are  here to stay with some of the most forward thinking and necessary sonic offerings within the contemporary rock scope. This record rallies against the dying, boring, overdone and under thought  droves of CIS white-male “dominated”capitalistic rock scenes, by raising the bar and  flushing the  boring and  inspired rock trends down into the sewer where they have belonged this entire time, and serve as an assault on the  normative, re-hashed, uninspired music that often fills the  airwaves. Moira Scar is a weapon against a  violent, patriarchal system of despair, confusion, and  entanglement and  “Wound World Part 1” is the next logical step in the bands seemingly endless progression of reinvention. One of the most important contemporary dark rock acts going, period. This record is not to be overlooked.

Order the  New record HERE and  HERE

MOIRA SCAR

NEAR DARK RECORDS

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DECAYCAST #040-1: ARVO ZYLO “An Itch for Nature” Mix

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MIX BY ARVO ZYLO

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DECAYCAST #040-1: ARVO ZYLO “An Itch for Nature” mix

Peggy Lee – Sea Fever (for Edgar)

Michel Delpech – Pour Un Flirt
Takeshi Terauchi & The Bunnys – Sado Okake
“Klua Duang” sung by Phloen Phromdaen
The Beachles – Don’t Talk (Get Better)
Le Forte Four – Aye Mama (I’m Amok)/ Meanwhile Back at the Tulip Boat, Stinky
Walls of Genius – Porcelain God
Foetus (Live in Chicago ’96, Thanks to *KP) – Goin’ Blind (KISS)
Dave Phillips (field recording) – Muay Drums
Regosphere – Nature Knows
Skinny Puppy – Nature’s Revenge
Jandek – Can I See Your Clock
Edward Ka-Spel – Where The Highways Form A Spiral
Sergey Khismatov – Symphony for Industrial Horns (excerpt)
Fhtagn – Live 1-21-18 (excerpt)
Rudi Schneider – Trance Breathing (1933)
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“Arvo Zylo is a recording artist and radio person who has been active since 2000. He spent 7 years with “The Delirious Insomniac Freeform Radio Show” on WLUW (also syndicated on KLFM in Split, Croatia), as well as well over 100 appearances on WZRD since 2005, and dozens of live DJ appearances in various contexts. He also spent 4 years co-hosting a soul/funk radio show called “Two Slaps Radio”. For several years, he booked weekly experimental showcases and wild parties, often in decrepit old buildings. He has written on various aspects of sound art and noise for Special Interests, Heathen Harvest, Roctober, NewCity Chicago, and others. His collaborative project / collective Blood Rhythms, released its first LP, “Assembly” in 2015, and his private label “NO PART OF IT”, kicked off in 2008, with a collection of locked grooves featuring Nurse with Wound, Crash Worship, Helios Creed, Sudden Infant, and others.”

Follow  ARVO ZYLO At :

decayREVIEWS : EN NIHIL “The Approaching Dark” CD (Eibon Records, 2012)

ennihilEN NIHIL is one of those artists that remains back in the shadows , with much more of a modest output than many of todays noise/experimental artists who release literally everything they record. THE DARK PULSING SKULL that is En NIHIL has chosen his position- remaining a bit in the shadows, while crafting throbbing, articulate noise / drone / dark ambient / harsh from
An unassuming position in the dark mist. I have a few of his releases and they are all composed and compiled with care, craft, and attention to detail, with the latest release, “The Approaching Dark” being no exception.

This disk flows seemlessly through harsh noise, rhythmic dark industrial, ambient spaced out textures and swelling rhythmic intensity blend together to give breath to the harsh blasts that lay beneath a thick yet subtle fog. Each sound on the disc comes across as intentional and deliberate – again and again combed over – no happy accidents here – every sound is carefully and conceptually placed to create an interesting and ominous space- giving way to the next and last sound; texture tension rod of black smoke .

At times super harsh and blasted out, and at other times restrained , EN NIHIL Creates a delicate balancing act of harsh abrasive pulsing attacks, desolate and  near classical like compositions fueled by pulled back ambient sections which make the louds louder and are a wonderfully paced black breath to the overall ebb and flow of the disk. Composition wise, the disk doesn’t let up – a perfect balance of dense, anxiety ridden movements  and sparse  textured based tracks make this disk a fluid and theatrical atmosphere- just abrasive enough- and the  artwork fully supports the sound, very high quality all around. This is  bleak, dissonant soundscapes  for a  future vision of the  absence of a current polluted consciousness. Be on the lookout if you can ever  catch him live, because  performances are  few and far between.

Mp3 Sample “The Hearts Relent

Get it from the  label  http://www.eibonrecords.com/

http://ennihil.blogspot.com/

written by : malo