DEVELOPER “OOBR004” C20 (Out Of Body Records, 2011)

DEVELOPER "OOBR004" cs (2011)

dEVELOPER blazes forth sharp, visceral, hills of harsh noise walls, pausing and chopping for various lengths only to punch back in at the oddest time where your ear-mind just begin to orientate itself to the sound, and then it slices-dissappears-kills back in again. Super high pitched feedback blasts knife their way through blown out bass hammerings, and then swell together to once again enduce a choppy form f nausea. The parts of this tape that work best for me, are where it gets really choppy, as opposed to the places where the walls build up to a point of density where things become blurred and sashed out, but this never happens for long, as DEVELOPER stays on the pace quite swiftly throughout the majority of the A side. Roaring, pummeling mechanized broken up loops sift through the blown out pillars of chaos and take brief rests, before jackhammering the cavity with thousands of white noise ghosts. The more the tape goes on the less and less breaks there are between the chaotic buzzing walls, yet it never totally looses it’s chopped aesthetic and frenetic pacing. Developer’s style, on this release at least, doesn’t come off as a bunch of tracks piled upon each other digitally, but rather a line-in style of recording where the cuts are being made live, I have no REAL evidence of this, but that’s the “organic” nuance that I pick up from the aesthetics of the pacing and editing, done quite well.

DecayREVIEWS “GNAWED- Patience is Waste” c40 (OOBR, 2011)


“GNAWED- Patience is Waste” c40 (OOBR, 2011)

Dont know much about this project (seemingly cause im
Out of the loop) but from the second the tape starts rolling, it caught my attention. It starts with a throbbing dissonant beat with druid?esque synth swells, slowly building up to a chaotic explosion of exploding throat vocals spliced with sharp blasts of dense white Noise. Grating throbbing pillers of STATIC trigger machine guns synth and drum blasts tear apart the cochlear as overdriven howls of repeated pain pulse the speakers. Distant drum patterns start to build
Up to a creshendo of chaos, but all while Keeping the overall tension between the instruments. While mny harshnoise/rock/industrial hybrid bands go for an all out sonic assault, obliterating all traces of “traditional” instrumentation, GNAWED rides the line very well. Dark pulsing low to
Midrange synth tones
Provide a balanced and textured backdrop for the drums and vocals to breathe as voices of their own , yet building up into a swelling breathing, bleeding storm of sonic chaos. DECAYED~ blasting stabs of ear pain keep building and building into your speakers and start to short circut your system then silence, ear ringing silence.

Side B picks up where side A left off but with a slightly quicker pacing. A crumbling church bell modulates in the distance as subtle machines begin scraping and shaking at the fabric of time. Slow Building tones create a chaotic space of confusion and disorientation. Before you know it your back in fhe whirlhind of self hate. Each miniture explosion of sound is another howl into the whistling winds that curl off of the slopes of gravestones. Slow churning peels of distorted spun around vocals swell into a. Unscalable wall of noise. The second track on the B side is the most developed spacial of the tape, dispaying a great call and response style of spacialized development between the oscillating vocals, and crawling syntn a d percussuin blasts. Most ofthe tracks have noticable intros ans outros which helps to demonstrate them as movements within themselves. The tape slows down a bit toward the end to a last breath type pacing, a creaking ship of dangerous winds. Are you the last one left on the boat before it sinks? Buzzes again build into a shaking chaotic nervousness that keeps the listener on a delayed edge of sanity, as black winds smother the percussive sounds of machines malfunctioning in the vacant hole of the afterlife. Good luck with that :/

This release isn’t terribly varied in the sonic spaces and or structures that it explores., yet GNAWED manages to create articulated chaos and TENSION with a fairly simple and stripped down sound palette, something many projects in this genre seem to have difficulty grasping, a very solid release overall. Top notch death/power electronics! Will be looking out for new stuff by GNAWED for sure. Pro dubbed chrome tapes with pro printed labels and color covers with black and white inserts, beautiful decaying artwork wraps around the black tapE.

OVERALL : 8.7 /13
Written by : Malo