DECAYCAST Interviews: Anna Cuevas of Dès Vu “This Will Become A Memory”

94030604_1108340206197831_1919723370539122688_n
Dès Vu. photo:  Liesa Cole

Even before i met Anna Cuevas, her project Dès Vu was  enshrined with a sort of mythical presence. My partner first turned me onto her work when we were sourcing bands and projects for a benefit show to combat the  racist and xenophobic US border crisis, which has denied safe entry for thousands of asylum seekers to the US, we reached out to several acts and the first one to respond with a resounding yes, almost instantly,  was Dès Vu.  Benefit shows can be tough, as underground music shows usually have a razor thin margin financially for paying artists/performers as it is,  without even taking into consideration money for the space/promoters, never mind extra money to donate to a cause. The financial logistics of running a small to mid sized DIY show and coming out in the black are often next to impossible without a big crowd, sponsors, and a hefty amount of press backing the event.

“Dès Vu means the the awareness that this will become a memory,”

For many micro scenes benefit shows often require the artists and space to donate their time, money and resources to be able to raise enough money to make a big enough financial  impact, with the artists donating their time, talent, and resources for free. Putting together (last minute) or any benefit shows often cuts down the choices of  performers, as many simply cannot donate their labor for free or  discounted artist fees, so the fact that Dès Vu not  only agreed to  play our show, and immediately stated that she didn’t need payment, and we’re excited to participate was just the boost we needed to get the benefit show rolling, only later, and still at the time of this interview am I figuring out that activism is a big part of the work of Des Vu, so it was no surprise that she were our first ally in bringing together a solid lineup. We sat down and spoke with  Anna about her creative process, education, and future creative endeavors.

Welcome to Decaycast Interviews, please  talk a little bit about the origin of your current recording and performance project Dés Vu?

Dès Vu (day voo) quickly manifested early 2018 in Birmingham, AL, my hometown. After a long writer’s block, one day I played one of the synths of my now-producer, and what became the EP’s “cycling affect” flowed out. That breakthrough compelled me to transform sketches I’d been writing on my synth into full songs. Dès Vu means “the awareness that this will become a memory,” and that all feels like a dream now that my musical path pulled me to the Bay.

How is the Bay Area different from Birmingham based on your experience within music artists and activist circles?

I’m really grateful for my Birmingham roots helping me bloom into who I’m becoming, but I see and hear myself far more in the Bay Area creative communities. Here there’s a lot more music in the spirit of what I make, and I don’t get questioned about being racially ambiguous, which has been really refreshing. In many ways I feel more comfortable performing here despite not knowing nearly as many people as where I grew up. Birmingham has a strong DIY community and network of grassroots movements, but those circles were pretty separate. Here there’s much more overlap which really resonates with my music. There’s also more people and resources for more radical organizing and direct actions, but the movement in Birmingham works as hard, just in a different way. They are such different places and I’m still adjusting to what initially felt like culture shock but in a good way for me. One’s preference just depends on what one is seeking and wanting.

Can you talk a little bit more about radical Organizing and the connection to your work if any?

Though not an inherently political project, my music instinctively weaves some radical anthems among more prominent ballads centering mental health. I consider those themes deeply connected; one way being how racism and capitalism shape the climate of modern society.

94050096_566119867646378_6866162863753396224_n
photo :  Jaysen Michael

In Alabama I did a lot of grassroots work with workers’ rights, immigrant justice, prison abolition, reproductive and gender equity, and police brutality. Despite no longer having the stamina to continue frontline organizing, solidarity will always be a part of my work as I feel compelled to embrace the movement In my platform. However, while the EP’s “decolonize” and the single “for Rojava” highlight anti-imperialism and anti-fascism, my music primarily strives to create a world beyond this one.

 

So more of a vision of a different future than responding to the current one?

I like how you put that – it does respond to the current one but is also pushing for something more in a healing way.

Also knowing you’re a teacher In Oakland, had this affected your work at all in any way ? Have you ever we shown your students your music?

Actually yes, I recently had a music idea come to me about when public schools close for good and all the dynamics that entails.  It’s not something those outside of education probably hear much about and discuss even less but through music,  I can highlight that disparity that branches beyond schools and seeps into our communities, and yes I have shown my students my music.

 

Do you think social distancing has had an impact on your practice so far? Have you been in the mood to make music / art or not so much?]

Social distancing has had a big impact on my practice so far the first nearly three weeks (at the time of this interview) of quarantine, I really struggled with maintaining a creative focus. At first,  I started feeling imposter syndrome, like why was I not using this extra time to churn out new material. . Then I realized that the change to working remotely in education was not only not allowing as much free time as many who sadly lost their jobs, but was also taking an extra emotional toll with the urgency to prioritize mutual aid for our school’s families. Parent conferences by phone prefaced academic updates with asking what basic needs, if any, the families lacked.  Some weren’t sure how they were even going to get more diapers diving in to a bit of mutual aid outside of my job, looking to social media more to stay connected, and feeling the need to stay updated with news deeply affected my headspace for a while before I noticed how much it had negatively impacted my basic self-care. I felt kind of selfish for wanting to work on my music more than usual during these times, but now i’m reminded how crucial our own healthy wellbeing is before helping others so much embracing that notion now, i’ve started naturally practicing, writing, and recording fluidly again. As a solo artist with a bedroom recording setup.  my imposter syndrome was exaggerated  since i wasn’t even having to adjust to virtual group practices like many I know. Creating feels more like medicine than it ever has as it’s helping me process our new collective reality. My practice feels even more purposed now; though still very much digging inward, i’m projecting outward a lot more, like sending energy instead of staying in my own head so much. This will likely be a permanent shift as it will be impossible to ever completely forget these times we’re currently navigating.

Any future projects you’d like to discuss or general things to let our readers know about anything?

My producer is nearly done mastering the re-release of my EP, though unsure when I’ll be able to tour on it. My music video locations are also currently on pause, but I’ve been working on new songs for about a year and am learning to produce it myself
I do have another music project I’ve started but haven’t announced more details of yet and am not rushing it.
Generally, I encourage those who are financially able to donate to Bay Area mutual aid efforts: some that come to mind are houseless aid through :

East Oakland Collective

The Village,

West Oakland Punks With Lunch;

Bay Area Workers Support (sex workers),

Oakland Food Workers’ Fund, and We Are The Ones Mutual Care Fund — * for the unhoused, East Oakland Collective is taking donations for hand-washing stations ($162 / month) and portable toilets ($142 / month) PayPal:  kandace.e@gmail.com

Follow Des Vu on Instagram : @mind__mirage

Vortex Empath Xen (V.E.X.) Share First Two Singles – “Demon Dimension” & “Split Orb” from New album Out on Psychic Eye 3/27

The post-punk, industrial-inspired queer duo V.E.X. is at it again with their new full length.

4_panel_insert VEX inside
Vortex Empath Xen plays Oakland 3/27 w/ False Figure @ Elbo Room Jack London. Oakland

 VORTEX EMPATH XEN “Between Worlds”,  which comes out 3/27 on Oakland’s own Psychic Eye. Here we bring you an exclusive stream of the first two singles, “Split Orb” and “Demon Dimension” V.E.X. further develops their ever-evolving sound with dark these two powerful post-industrial / post-rock tracks, utilizing all of their signature sonic elements;  arpeggiated bass and synth lines, funky, chaotic melodies, complex arranging, pummeling drum machines, buzzing horns, mangled samples, angular, distorted, blown-out guitar, and everything gelled together with the duo’s iconic evocative vocal styles, which skate atop the cauldron of twisted sounds perfectly and solidify their art as one of the hardest to quantify into a single genre, V.E.X can simply not be defined in this way.  If you remember, we reviewed the duo’s other project MOIRA SCAR “Wound World Part 1” (also released by Psychic Eye) and you can read that here and order the CD, at the same time your hopefully ordering this one, which held a similar complexity, however “Between Worlds” takes the creativity to another undiscovered level. Sonically, the duo is at times more post-punk, at times, more experimental and always pulling from a queer, post-industrial framework, VE.X. is constantly shifting and re-adapting their sound and visions to the cutting edge of a  violent world. From the band:

Demon Dimension is a Deep Delve into Depressive Paranoiac Mind traps Human brain like hamster on wheel spinning around it’s cage for eternity.Discordant screams waking in a nightmare.”     – Lucifer Gamma Ray  & Roxzan Zatan

Lucifer Gammaray and Roxzan Zatan split vocal duties on this pair of singles, undulating between a more operatic style such as found on the break of “Split Orb” or like the orator of controlled chaos, the singing/screaming dichotomy on  “Demon Dimension” increases the intensity in a very real and visceral way. After only hearing the first two tracks, we know “Between Worlds” is going to be an underground queer staple of post-rock/post-industrial.

“Split Orb is a journey across time and space from within/outsider/multiplxpersonaliti cell/root/complex, we are growing into new beings, what we have been what we are becoming, change is the moment, hybrid hubris, we are flesh channels for source/spirit, we are unbecoming.” –  Roxzan Zatan & Lucifer Gamma Ray

 

0018913909_10

 

PREORDER NOW from: Psychic Eye Records

LISTEN LIVE: V.E.X. Plays Elbo Room Jack London 3/27 with Mystic Priestess,  False Figure &  more. 

 

 

 

DECAYCAST Premieres: Bay Area Funk Wizard CHAKI Releases New Video “The Water”

DECAYCAST Premieres: Bay Area Funk Wizard CHAKI Releases New Video “Water” – WATCH NOW! 

CHAKI_PROMO_02

If you’re in the Bay Area and you don’t know the work of CHAKI The Funk Wizard than you must hate fun, funk, horror movies, and capes, in which case, why are you even reading our blog? On his newest song and video, “Water”, CHAKI offers a masterfully crafted, yet slightly dystopian blend of self reflective cosmic brain altering funk! Blending astute musicianship, top notch arranging and production,  and a dark sense of humor, like a soldier of Funk,  Chaki covers all of the bases himself, performing nearly all the instrumentation solo with wonderfully nuanced results. Warm organ, marching bass lines, swirling screaming synths, hard hitting, tightly would drums, and the voice of an angelic maniac to create a funkily unique and dirty swim through the history of Funk music. “Water” gushes into your face and soaks you head to toe with cosmic funk liquid from the place of Chaki’s origin, a true assault to those refusing to feel the  rhythm, or maybe a hymn for those who feel the late night wrath of a post dance party Taco Bell excursion, whatever it is, we’re here for it. With it’s acid peaking level energy,  driving in the pocket beats,  “Water” is no doubt channeling the bombastic low end of genre-pioneering giants, Cameo, the glossy, psychedelic, and often flawless production of Prince with a dash of Blowfly-esque absurdist humor and what do you have? “Water”, which is to be released as a black vinyl 7” by Who Can You Trust? Records.

It’s a silly video for probably the most personal song I ever made. I was trying to channel my heroes like Cameo and Prince while in the studio.” – Chaki

who-40_front-500

“The concept came to Chaki in a reoccurring dream and scribbled onto a bar napkin. The vision was brought to life by the local Oakland filmmaker team Han Hale (director) and Dean Snodgrass (director of photography).

CHAKI has brought his dynamic stage show to festivals such as Noise Pop and The Offbeat Fest. This funky alien has gained a cult-like following over the past few years, playing shows with like-minded weirdos Shannon and the ClamsEl VezPeelander ZBob Log IIICaptured By RobotsThe Space Lady, and Flipper.

You can Buy CHAKI “The Water” 7″ EP here: https://whocanyoutrustrec.bigcartel.com/product/chaki-the-water-7-vinyl

CHAKI performs 12/31 at FCOTB w/ Burmese, NDW, Jeweled Snakes and more. 9pm.

 

 

 

DECAYCAST #032: GUEST MIX: Victor Vankmen “Wild Workout at Noon Thirty Vol. 1”

DECAYCAST #032: Wild Workout at Noon Thirty Vol. 1

Mixed by Victor Vankmen

Freestyle Vinyl Dub Edits and 12” Mixes

Featuring tracks by legendary tape editors and producers:

Aldo Marin

Andy “Panda” Tripoli

Boy Wonder

Bruce Forrest

Carlos “After Dark” Berrios

Charlie “Rock” Jimenez

Chris Barbosa

David Cole

J.A.G

L.A. Martineé

Little Louie Vega

Oh, Oh, Omar Santana

Robert Clivillés

Roger “OSN” Pauletta

Stevie B

The Latin Rascals

Tolga

Winston Negron

Mixed, recorded, edited by Victor Vankmen

Radio skit produced by Victor Vankmen, Ivan, Eli 

Track during radio skit: Victor Vankmen and B.I.N.T. – 17 TH ST (Diamond Center Dub)

Shout out: MD, Ratskin Records, Eli, Ivan, B.I.N.T.,  VAMP, Champion Sound, Jose Melendez

DECAYCAST Premieres: Post-Industrial Darkwave duo V.E.X. Shares New Video “Dancing At The End Of Time”

DECAYCAST Premieres: Post-Industrial Darkwave duo V.E.X. Shares New Video “Dancing At The End Of Time”
0006663860_10Bay area artists Roxy and LuLu, as V.E.X., (and a myrid of other projects) have been playing music and creating art together for years on end in the bay area and beyond, yet somehow always bring something refreshingly new and politically necessary to the table, and their latest single, supported with a brand new video here “Dancing At The End Of Time” is certainly no exception.
From the artists;  “Dancing At The End Of Time” is a low-fi synth ballad of remembrance and resistance in a dying world, the true story of two femme freaks gentrified out of the city but not out of their souls, holding onto their love in spite of all the hate, dedicated to crafting underground subculture music for outcasts, the forgotten, and those fighting back in this genocidal abusive white supremacist capitalism patriarchy death spiral.
“Dancing At The End Of Time” offers a celebratory, yet real and  visceral look at two femmes resisting the violent forces of oppression and gentrification through the streets of a forgotten and endlessly morphed San Francisco.  “Dancing…” gels haunted vocals and murky, analog synth arpreggiations, creating both a serene and haunting vibe which encapsulates the listener into a tale from the past.  Watch the  video below and read some words on the track and video from V.E.X. below. The track is from an upcoming split with Moira Scar.

“Roxy and LuLu have been playing music together since 2001, as The Floating Corpses, Angel On The Nod And The Phantasy Defylement, Terrran Traumantics, Moira Scar, and V.E.X. being the most recent incarnation. V.E.X. (Vortex Empath Xen, formerly Voltage Empath Xanaxax, Ventriloquest Ectoplasmold Xanaxax) is Lu Lu “Lucifer” Gamma Ray and Roxzan “Roxy Monoxide” Zatan as industrial-dark-wave synth-punk surreal-doom noise-romance duo. V.E.X. creates, V.E.X. records, V.E.X. plays shows.”

Check their bandcamp below and make sure to check for select tour dates and an upcoming split with Moira Scar.
https://xanaxax.bandcamp.com

 

DECAYCAST Reviews: STRAIGHT CRIMES “Jams, With Microphone, 2017” (Fine Concepts, 2017)

DECAYCAST Reviews: STRAIGHT CRIMES “Jams, With Microphone, 2017” (Fine Concepts, 2017)

a0844658309_10

“Jams, With Microphone, 2017”   is the newest sonic offering from bay area punks Straight Crimes.  This cassette is toted under the “punk” category on band camp and other agents of the internet however stretches pretty far past that on this album delving between slow, heavy sludgy cuts where could easily faintly resemble an early Big Black or Butthole Surfers, which thick fuzzed out guitars, monotone style yelped vocals, heavy drum machined percussion, and thick, dense, cavernous spaces of spearing electronics.  The duo doesn’t stick to a particular style on this release bur one of their own, which is refreshing to the ear and psyche.  While it does have  many “punk” qualities to it, composition  wise, things really get stretched and scratched  to the max, such as on the ten minute anthem, “Is This Hell Or Is This Dumb” the vocals  and  meat and potatoes of the  track don’t make an appearance for nearly six minutes as the listener is  left in a murky, dark, disorientation of  jabbed and beaten  guitars, harsh alienating feedback,  high tension  style sound the  alarm  ringing and buzzing as the  listener marches towards a  future of confusion and uncertainty. 0011065181_10

 

As the song pulses on the listener is even LESS SURE of themselves than they were in the beginning and we all must hope to answer the question by the end of the bass swells that check the situation in the innards and slowly build to a crescendo of chaos.   “Jams With Microphone, 2017”  is absolutely as much of a heavy abstract, even “noise” record than it is a “punk” record as can be much more easily stated for  previous S C releases, though the heavy, pummeling track “In a Free Pile”  is perhaps the album’s most accessible and  straight forward song, while still boasting  thick percussion, a tonal heavy  dirge out guitar, sludgy bass lines and walls of noise  which add sharpness to the overall throbbing beat, perhaps the strongest cut on the album.  Tracks such as “The World Does Not Care About My Art Like Every DAY” show a more abstract and experimental side to the act, with this nearly eleven-minute feedback and vocal based offering, which peaks and swells through various sonic landscapes with the continuity of well executed guitar feedback leading the listener through this dark, murky, sweaty tunnel out to the dejected other side. This is a really refreshing release overall, and look forward to hearing more of this band, and everything else via their imprint, FINE CONCEPTS, longtime Oakland stalwarts.

 

DECAYCAST#036: NIHAR BHATT : V/A: ROGUE PULSE / GRAVITY COLLAPSE DJ Mix

DECAYCAST#036: NIHAR BHATT :  V/A: ROGUE PULSE / GRAVITY COLLAPSE DJ Mix on RATSKIN RECORDS, 2017 

IMA “Meshes”
TERROR APART “Perfectly Nowhere”
BIG DEBBIE “E.P. Hypnosis”
AH MER AH SU “Write This Off”
SNEAX (LaTron + Obsidian Blade) “Till The End 100%”
Piano Rain “Last Year” Remastered
PRIST “Still Movin'”
FORBIDDEN COLORS “Green Smiley Face Sticker”
BONUS BEAST “Direct Dive”
ZEEK SHECK “7777-01-07 Son”
JOSHUA KIT CLAYTON “Morning Rasp”
HIROSHI HASEGAWA “Homeobox”
MALOCCULSION “Walk Of The Dead, Part One”
S.B.S.M. “Godzilla”
POD BLOTZ “The Current”
MOOR MOTHER “CTM Five”
BRIAN TESTER “Chrono People”
GOLDEN DONNA “Wired For The Worst”
THE CREATRIX “D B No Moral Universe”
CIARRA BLACK “Don’t Say It, Volume 1”
RUSSELL E.L. BUTLER “Technofeminism House”
ZANNA NERA “In My Veins”
JASMINE INFINITI “Scratchy A”
ELROND “Hart Start”
DIMENTIA “Specimen Identity”
PARALYCYST “Untitled”
SHARON TATE FETUS EXPLOSION “Personal Brand”
V.E.X. “Ride The Time”
arc “Breathe Couplings Undulation Map”

NIHARMIXCOVER_VER5

 

 

 

 

 

 

 

On The Origin Of Rogue Pulse / Gravity Collapse: About two weeks to the day before Ghostship, we returned home after days of protests; as always feeling defeated, BEING defeated another day of violence enacted upon the communities’ consciousness; Witnessing the beautiful families of oakland wading through never ending rivers of trauma enacted on all marginalized communities through state sanctioned violence and racism in Oakland, and the Bay Area at large. A compilation will not solve this, a thousand compilations will not solve this, but we have done nothing to combat this and we have to start somewhere. ROGUE PULSE / GRAVITY COLLAPSE is an uncertain yet thorough attempt to demonstrate to propose a restructuring of how artists, labels, promoters, venues and other “institutions” and INSTITUTIONS use their privilege, time, talents, and resources. But before we could do that, and begin to unpack the complexities around all of these issues, in one single night, the community lost thirty six souls, including founding members of our collective, artists on our label, family members, and so much more in Ghostship and then months after RP/GC was released, almost a dozen more in the San Pablo Fire months later which displaced hundreds of longstanding Black members of the community, and lastly the North Bay fires. There is only so many ways to process or not process this stuff, but we came up with a compilation. We weren’t sure how long it would be, who would be included, how we would present it to the public without exacerbating the commodification of grief, and without taking visibility away from traumas enacted against the Oakland community at large, outside of the “artistic” community. We weren’t really at all sure how we would divide up the money, how we would promote it, but sometimes you don’t have any other fucking choice, even if it raised $100 you never know how far that could go.. Ghostship was, and still is a horrendous blow to our local creative community, many of whom had already been resisting against the structural wrath and chaos of a white supremacist, sexist, capitalist culture, and therefore already just struggling to create and survive, day by day hour by hour minute by minute. In short, many communities were fragmented and tormented long before Ghostship, and Ghostship, for many of us, brought a blade of mass trauma slicing through reality, grief, chaos, distrust and confusion that uprooted the community in so many different ways. The Immediate Fire relief fund literally saved people’s lives by the way and all the love should be given to them and those working on the periphery as well.

What was crucial for us was linking in those deeply affected and lost in Ghostship fire while also keeping the financial and conceptual focus on the organizations we chose to support before the fire, Black Lives Matter and St James Infirmary in San Francisco. Before we knew it, it was out. It was like the best and worst possible distraction, and in MANY ways, postponed a lot of the mental and physical healing that members of the collective needed to do for ourselves but at the same time it was, and still very much is an entry point for beginning the process. For me personally, this has easily been the single most important release I have ever been a part of for numerous reasons, but the single biggest reason is because it saved my life, literally, so many times I cannot even count and it did that by showing me the undeniable ferociousness of our community. Every track on ROGUE PULSE / GRAVITY COLLAPSE, came as a blessing, a hug, a shoulder to cry on, but also they came as weapons, one hundred and eighty seven weapons, and we couldn’t be happier with the finished offering, as it strives to demonstrate the unrelenting power through all of the trauma and grief that our community and the people of Oakland, through various intersections possess and present with every moment that they exist. Nihar’s essential, heartfelt, and nearly perfect distillation of the thirteen hours of Rogue Pulse / Gravity Collapse, carefully and masterfully sharpens heavy stones of grief into razor blades of warmth, love, creativity, and determination of our community like daggers to the throat of a broken, corrupt system. Every tear shed will eventually freeze to form an icicle to thrust into the socket of a system which has cast away so many amazing, beautiful, creative, people.

This mix is one for everyone who has lost a loved one at the hands of systemic violence. Your tears will not go unnoticed, and this is just the beginning.

This mix is one  for  everyone who has  lost a loved one  at the  hands of  systemic violence. Your  tears will not go unnoticed, and this is just the beginning.  

Follow Nihar’s projects NINE, \ LEFT HAND PATH & SURFACE TENSION

The physical edition of  ROGUE PULSE   / GRAVITY    is SOLD OUT  as of  Today, but the  digital download is  available HERE ON BANDCAMP  via RATSKIN.

 

-MD. Dec 1, 2017

 

CORAL REMAINS (formerly Styrofoam Sanchez) On tour NOW! check dates below!

CORAL REMAINS (formerly Styrofoam Sanchez) is a post industrial sound and sculptural installation personifying the trash island in the pacific gyre. Spawning from a hybrid of human DNA and trash, CORAL REMAINS is a dystopian, amalgamated magnification of failed civilizations, spliced rogue technologies gone awry spawning dark pulses of technological neurosis and inner psychosis . When fish put fin to sand then you’ll understand, fish can carry guns. CORAL REMAINS represents the last molecule before total conversion of humans into futuristic trash receptacles. Human, your skull will be in a museum.

https://www.facebook.com/events/1582825008659649/

IMG_1652.JPG

IMG_1678.JPG

HAPPY NEW YEAR – Lots coming in 2015!!

Hello and thanks for keeping up with decaycast . 2015 will bring a lot more reviews , interviews , podcasts and even our own bandcamp for easier streaming / downloading of all of our past and future episodes . If you’d like to submit PHYSICAL material
For review please email
Decaycast(at)gmail.com and we’ll go from there . We’re also happy to announce that we have two new writers so we’ll be able to crank out more lengthy reviews quicker and with more love and precision! The band camp will be up by the end of the week and expect interviews with PCRV , Crank Sturgeon , Jason Wade and tons more !!!

IMG_0649.JPG

decaycast REVIEWS : STYROFOAM SANCHEZ “Empire Underwater” LP/DVD/Book Review

decaycast REVIEWS : STYROFOAM SANCHEZ “Empire Underwater” LP/DVD/Book Review

10447516_699576206782225_6251450691064930639_n

The tour kickoff in Oakland last night was sooo heavy. Loved it. The Styro gyre is at top spin, about to make land. Open wide murfukrs!
And the STYROFOAM SANCHEZ “Empire Underwater” LP is a required listening milestone. The past just floated away, this is serious soundcraft, lo-fi grabs hi-fi by the skullholes and has its way. Did y’all know what lyrics have been clattering out of the ocean’s brain all this time? Like Sun Ra said “There are other worlds they have not told you of who wish to speak with you.” SS lyrics are too core to their music, grab the book and see what you’re hearing. The illustrations are too much, a labyrinth for the eyeball while lost in the record… none of this distracted half-heard imusic… FULL IMMERSION.
Don’t look past the all new “Coastal Ruin” cassette, neither. Stretched out live sound, perfectly recorded darkness, suited to tape, triggers gooseflesh at the mere memory of styrene squeaks.

0003723723_10

Damn, and the whole  “macular Edema/Occular oOil Pond” DVD! The huge glue-jewel of this whole chemical crown. No spoilers though, suffice to say… don’t let your life suck on milquetoast mediocrity, grip this intense labor, one pkg includes the LP/DVD/BOOK, then the tape is its own. Sink yourself in mile deep layers of some heavy pitch black prescient shit, the future is cresting, about to pile onto your chest. Don’t say you were busy lookin’ at your phone glow.
http://www.ratskin.org/index2.html

-Pharmar Histamine, Resipiscent Records