DECAYCAST Reviews: ZSA ZSA GABOR “Left Skull Bank” Cassette (Stay Strange, 2017)

DECAYCAST Reviews: ZSA ZSA GABOR “Left Skull Bank” Cassette (Stay Strange, 2017)

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“ZSA ZSA GABOR is dead” but the  sounds, voice, and pulses in a ritual are anything and everything but that. ZSA ZSA GABOR is one of the artists and founders of the Stay Strange SD Crew who boast a new label imprint, show collective and all creative force led by San Diego stalwart Sam Lopez aided in sound and  words from Ariel Irbe, Esteban Flores and Micheal Zimmerman, allwith their  own projects to boot under the  collective umbrella. Irbe performs and records  under the  S O L V  moniker, while Flores work as  Monochromacy represents  powerful, thick, radicalized  guitar  forward drone/noise works.  

“Left Skull Bank I” opens up the cassette after a brief intro with a dark, smudged, thick drone which slowly encapsulates the listener and then drops them in a voice cell of terror, confusion, disorientation, The time to talk isn’t now or maybe again for an hour  or even a year. Seal your lips shut for it’s  time for the  hymn of ZSA ZSA GABOR. This release is relentlessly and refreshingly diverse in its sonic character and nuance of sound and style; oscillation between spoken texts , drone, ambient, field recordings, distant screams that  ring like a hammer  smashing an ancient bell,  and  string based  swells ZZG has something for everyone , but at the sane time NOTHING FOR YOU. They owe you nothing and owe  everything to the void. Full tilt  sonic mayhem engulfs your  last thought and hope as your skull is  cast aside like an extra, misshaped, unneeded brick into the  ever-growing pile of death.

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“Left Skull Bank 2” picks up close to  where part 1 left off, with a thick, buzzing,  shaking vibrato of  stringed chaos while a monotone, anxious, realistic voice reads and  breathes upon every swelling  stringed drone of death, and after a “brief  demonic interlude” the listener is  cast once again into the  chaotic experiments of death with Part three, twisting and  tangling the  false hope that we once had  with harsh stabs, angry, dissonant, atonal swells through a purgatory nobody wants to  even pass by for a minute. This  cassette runs the  full scope of experimental sounds but in a a unique and refreshing way, no rehashing, no redux, this is simply top notch experimental music,  get about it, be about it. .ZSA ZSA  GABOR  is a thick, swollen, controlled  anger, which is more or less the  sound of  a  decaying  future; you’re dead long after you  found out when you’re  going  to die, and if you’re worthy this  might make an appearance at the funeral to help shovel your lifeless  corpse to  rest eternally and be consumed by the  wormed earth. Follow  ZSA ZSA GABOR HERE and HERE.

 

 

 

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DECAYCAST Reviews: JASMINE INFINITI “Y1” (Self Released/NWD, 2018)

DECAYCAST Reviews: JASMINE INFINITI “Y1” (Self Released/NWD, 2018)

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Jasmine Infiniti comes  correct with this original production track, titled “Y1” Everything about this track hits in just the right way for an industrial danceclub bomb on the  unsuspecting audience. The track opens with just a thudding drum but slowly gains speed  and chaos with glitched-out industrial polyrhythms, in the pocket blown out synthesizers, churning bodies melting in the smoke filled room. Jasmine Infiniti is known for her uncanny, heart pounding, leg  twisting, room shaking,surrealist sound sorceried mixed genre DJ sets, but these  original productions, while informed by her DJ aesthetic take things to a whole different level of body moving bangers; alien voice transmissions and thudding electronic breakdowns, blending sharp, swift vocal stabs, chopping dicing synths, and heavy, funky, abrasive four to the floor clanging percussion,  Infiniti creates a  sound and  aesthetic thats unique,  different, important and all her own. Look out for an EP and follow her  collective NEW WORLD DYSORDER. Infiniti takes her knowledge of  mixing, turntablism, rhythm and density and amplifies it  across these original compositions with unique, heavy and promising results.

Infiniti has been setting trends in sound and  image long before this track and will be doing so long after, support this important in groundbreaking, unique artist any way you can!

“The Queen of Hell, Jasmine Infiniti is a New York Native whose dj roots started in Oakland, CA. A long time member of the House of Infiniti, Jasmine became the mother of the Bay Area Chapter, though she now resides in Brooklyn, New York. She blends dark and sometimes ambient techno and industrial sounds with break beats and cunty tracks creating a unique soundscape glimpsing into the future.”

bookings@jasmineinfiniti.com
jasmineinfiniti.bandcamp.com/
www.jasmineinfiniti.com

 

 

 

DECAYCAST Reviews: Katatonic Silentio / Tremco / Neurosplit / Oromë (Biodiversità Records, 2018)

DECAYCAST Reviews: Katatonic Silentio / Tremco / Neurosplit / Oromë (Biodiversità Records, 2018)

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This collaboration shifts  honestly between many many different  sonic spaces; in the least contrived blending of  beat oriented synthesis and, well plants.  Riffing off a  theme of the releasing label, Biodiversità Records, Katatonic Silentio / Tremco / Neurosplit / Oromë create a dense, special world of  sonic possibilities in a structurally rhythmic call and response ping pong of tense, delicate, and complicated sonic events.  Oscillating between dissonant beat oriented electronic music which the  artists admit could be  considered “techno” but the  four to the floor mindless speed comedown hooks are  left  by the wayside for a more atonal, arrhythmic, deconstruction of traditional “techno”, “dubstep” or whatever step” you take away from these quaint but pungent sonic exercises.  “Pteris Variata” unduates  between slower, cold, tense pulsing rhythms, occasionally backed by more straightforward  percussive  voices, however the  ambient  swells and  tense array of  noises never  allows this to become too much of  a  unique sound; the tracks and  sections move  swiftly and  articulate their space and move on, nothing forces the listener into a corner relentlessly, rather  creates a dark and interesting space for the listener to crawl into if they choose and explore a lush, dark, cinematic sound.

Background  swells of anciently articulated sawtooth waves  swell and wobble under a filter noose and offer an ambience which the percussion rhythms can dance around without dominating the mix.  Overall the  vibe is minimalist, tense, cinematic, ambient. Clickity, tapping, bass drums drive the  rhythm exercises through a  full workout of  sonic possibilities ending with perhaps the  EP’s strongest track, ” Oromë – Athyrium cantem” which speaks to  early Phaedra era Tangerine Dream, Wendy Carlos and  even references current producers such as Cloudland Canyon or Peaking Lights.

Will be  digging more through this  Italian based label’s catalog and seeing what other dark, pulsing treats we can find hiding in the brush.