DECAYCAST Guest List: Bran (…) Pos “EOY TOTALE 2019” Bay Area Multimedia Artist Chooses His Favorite Mind Bending Media of 2019

DECAYCAST Guest List: Bran (…) Pos “EOY TOTALE 2019” Bay Area Multimedia Artist Chooses His Favorite Mind Bending Media of 2019

 

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EOY TOTALE 2019

some of things that flicked my tick this year by bran(…)pos

Headboggle “Polyphonic Demo”  – Ratskin Records

40+ one-minute diddies catchy as fuck, and always weirdy. Then the dude practiced the pieces and toured them and they got better and deeper. Each live show I saw of Derek this year topped the last. Bubble machine finale at the Dildo gave me the creepy-happy chills.

 

Patrick Cowley “Mechanical Fantasy Box”  – Dark Entries Records

https://www.darkentriesrecords.com/store/vinyl/lp/patrick-cowley-mechanical-fantasy-box/

This got a lot of spins from me and combined with the release of the same-titled “Homoerotic Journal” creates an amazing document of a period of San Francisco that is increasingly becoming as lost as one of those self-driving cars stalled in a SOMA intersection.

 

Sahra Halgan Trio “Waa Dardaaran”  – self-released

Sahra has an incredible voice and energy and this trio combining her song stylings from her native Somaliland with a tight rockish energy brought by French musicians Aymeric Krol and Mael Saletes puts big smiles on my face every listen. I wore out their 2016 EP “Faransiskiyo Somaliland”, and was super excited to see they had a new release on Bandcamp this year.

 

XUXA SANTAMARIA “Chancletas D’Oro”  – Ratskin Records

Haven’t stopped playing this record. Sits right in the 2019 groove for me. Poppy, hard, sexy, smart as hell, and just a really fucking well-produced record. Won’t be surprised when this band blows way the fuck up. I promise I won’t be a hater when that happens.

 

Ed Balloon “The Dubs”  – Deathbomb Arc

Like nothing else I wore out this year. “Dreamworld” may be my favorite pop song in many years, and this tape was certainly my summer soundtrack of 2019. I’ve yet to see him perform live, and I’ve heard he brings it. Excited to see/hear more in 2020.

 

Dos Monos “Dos City”  – Deathbomb Arc

Another tape I played to death and memorized. I love these fools’ energy and sharp vocals riff on each other like the jazz samples they so well-employ in the production. Fun as hell and got me through some bike rides I have no business putting my knees through.

 

WAXYTOMB “Imminent Fold”  – Gilgongo Records

https://gilgongorecords.wordpress.com/tag/waxy-tomb/

Strange and gorgeous futurewrong electronic rhythms and vocals LP packaged alongside a 10-inch glossy “visual lyrics book” with amazing computer art by JulesLC, this is hands-down one of my favorite new weirds of 2019.

**** You can also read our review of the album here 

Sir Artful Cornhole Doily “Sings the All-Time Greats”  – Planetary Magnetics Corporation

http://www.planetarymagnetics.com/music-1

Imagine The Frogs slapping a baby around with a rubber fish covering the best/worst songs of your ok-boomer life. Yeah, this fella has more musical ability in his damp palms than any of us deserve, and we should be so lucky that he is putting music out in 2019 and beyond. Good luck finding this tape, but try contacting Planetary Magnetics hq in New Orleans direct.

 

The Residents “Mole Box”  – Cherry Red Records

https://www.cherryred.co.uk/product/the-residents-mole-box-the-complete-mole-trilogy-preserved/

A longtime favorite set of music from a longtime favorite band came out this year collected, remastered, and filled with tons of extra material and documentation. The Residents alongside Cherry Red Records have been firing out reissues of all their classic material lately, but none of the pREServed editions have been as exciting and revealing to me as this set. A runner-up would have to be the Record Store Day BS reissue, filled with ancient Rezzy material I had never heard. Residents 4ever.

 

Chromatics live at Mezzanine SF June 12, 2019

Chromatics

I’ve been a casual fan of Chromatics, but this live show put me over the edge. So great to see this unit form the music live and fill a club. This being the last show of their first tour in many years, there was real emotion on stage and in the audience. Their new record “Closer to Gray” has been on repeat play for me, but nothing recorded from this band has quite captured the energy of the live show in my opinion.

 

Evil Moisture/Thomas Dimuzio/Demonface/Ava Mendoza/Hobo Sonn live at Peacock Lounge December 18, 2019

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https://www.residentadvisor.net/events/1360084

James Decker/Resipiscent Records has been putting on monthly experimental shows for a few years now at venues around SF, but the much-needed SF series has really found a home at Lower Haight’s Peacock Lounge. I had the pleasure of working sound and sitting front row for this particular gig, which really brought a fantastic close to 2019 with solid to spectacular sets from every act, including maybe my favorite solo Ava Mendozaset ever.

 

RaffyTaphyASMR “ASMR raffy’s 3 hour video”

The king of tingles is back! After a lengthy break from any new material, Raffy came back strong in 2019, and his 3-hour video of all new good sounds quietly blows out the competition. Other ASMRtists have trouble coming up with a continuous 20-minute session without looping, and here Raffy remains strong and relaxing with unique content all the way through a full 3 hours. At least, I think that’s the case. I’ve never made it through the whole thing awake.

 

Biggest Crock of Shit 2019

“Cambodian Rock Band” by Lauren Yee with (some) music by Dengue Fever at OSF

Remember those Cambodian Rocks comps from the 90s? How about that 2014 documentary “Don’t Think I’ve Forgotten? Cambodia’s Lost Rock ‘N’ Roll”? Playwright Lauren Yee and band Dengue Fever hope that maybe you have forgotten about artists like Yol Aularong, Ros Serey Sothea, and Sinn Sisamouth as they front this disingenuous music play about the Cambodian genocide. “With music and songs by Dengue Fever” blasted all over the promotion and program with little to no information explaining that about half the songs are cover songs from this classic and tragic period of music and history. Dengue Fever has made a career of this kind of charlatanry and unfortunately theater folk are as susceptible to this kind of shortchanging of history as anyone I know. This play is a HUGE hit and will be produced everywhere in 2020. Almost every theater person I’ve talked to about it loves it. Every music person I talk to about it gags. I have way too many thoughts but suffice to say nothing in the arts irked me more in 2019.

 

Late entry (direct into my veins): Follow Your Heart “Siracha Vegenaise”

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The Belgian concept of mayonnaise on fries has always disgusted me. After trying this incredibly addictive vegan spicy sauce during the recent holidays at Follow Your Heart’s longtime Canoga Park home, I have to revise all former thoughts on the matter. In 2020 you will find me dead of heart failure with an empty bottle of this shoved direct in my throat. I will have died happy.

 

 

 

 

 

 

bran(…)pos is the ongoing audio-visual-performance-noise-musique-brain-bend of Jxxx Rxxz from San Francisco, CARodriguez has been performing and recording under this moniker since 1996 with releases on C.I.P., Resipiscent, Ratskin Records, Animal Disguise, and Chitah! Chitah! Soundcrack

You can follow Bran (…) Pos at:

www.soundcrack.net

https://branpos.bandcamp.com/

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